Cathy Byrd Talks Art with William Pope.L
Published 25 October 2011
Listen to this episode.
Envisioning Your Creative Life
FRESH ART INTERNATIONAL 2013 = New Site + New Fresh Talk Series!
Monday, December 31, 2012
BEST OF Fresh Talk: William Pope.L
Labels:
Blink,
contemporary art,
intervention,
New Orleans,
performance art,
Prospect New Orleans,
William Pope.L
Location:
New Orleans, LA, USA
Friday, December 28, 2012
BEST OF Fresh Talk: Jason Forrest
Cathy Byrd Talks Music with Jason Forrest
Published 1 October 2012
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Published 1 October 2012
Listen to this episode.
Labels:
Berlin,
Jason Forrest,
laptop musician,
Network Awesome,
new media
Location:
Berlin, Germany
Wednesday, December 26, 2012
BEST OF Fresh Talk: Luci Westphal
Cathy Byrd Talks Film with Luci Westphal
Published 26 November 2012
Listen to this episode.
Published 26 November 2012
Listen to this episode.
Labels:
All's Well and Fair,
Berlin,
Brooklyn,
documentary,
filmmaking,
In a Berlin Minute,
Luci Westphal,
moving postcards
Location:
Berlin, Germany
Monday, December 24, 2012
BEST OF Fresh Talk: Land Arts of the American West
BEST OF Fresh Talk: Land Arts of the American West
Published 12 July 2012
Listen to this episode.
Published 12 July 2012
Listen to this episode.
Labels:
American West,
Chris Taylor,
College of Architecture,
environment,
experiential learning,
Fresh Talk,
Land Arts,
Lubbock,
road trip,
Texas,
Texas Technological University
Location:
Lubbock, TX, USA
Thursday, December 20, 2012
BEST OF Fresh Talk: Joan Jonas
BEST OF Fresh Talk: Joan Jonas
Published 28 May 2012

Our listeners love Joan Jonas. A seminal contemporary performance artist, she has profoundly influenced the genre. Cathy Byrd watched Joan perform "The Shape, The Scent, The Feel of Things" twice this year—first, in Austin, Texas, and later, in Kassel, Germany. Each time, she and her collaborator, American jazz musician Jason Moran, filled the house and met standing ovations. Having featured Joan's work in a 1994 retrospective, the Stedelijk Museum dedicated a salon to Joan for the venue's re-opening exhibition. Fresh Art International was there.
Sound Editor: Leonardo Madriz
Photos: known credits noted
Music: Jason Moran, He Takes His Coat and Leaves
Published 28 May 2012

Our listeners love Joan Jonas. A seminal contemporary performance artist, she has profoundly influenced the genre. Cathy Byrd watched Joan perform "The Shape, The Scent, The Feel of Things" twice this year—first, in Austin, Texas, and later, in Kassel, Germany. Each time, she and her collaborator, American jazz musician Jason Moran, filled the house and met standing ovations. Having featured Joan's work in a 1994 retrospective, the Stedelijk Museum dedicated a salon to Joan for the venue's re-opening exhibition. Fresh Art International was there.
Sound Editor: Leonardo Madriz
Photos: known credits noted
Music: Jason Moran, He Takes His Coat and Leaves
Labels:
Amsterdam,
Austin,
College of Fine Arts,
documenta (13),
Germany,
improvisation,
Jason Moran,
Joan Jonas,
Kassel,
music,
performance art,
Stedelijk Museum,
University of Texas,
video
Location:
Austin, TX, USA
Monday, December 17, 2012
BEST OF Fresh Talk: Carolina Grau
Cathy Byrd Talks Art with Carolina Grau
Published August 6, 2012
This BEST OF Fresh Talk episode was recorded in Barcelona, home base for curator Carolina Grau's international practice.
Conversations about Creativity in the 21st Century
In Barcelona, Cathy Byrd speaks with Carolina Grau, an independent curator from Spain, who has created projects in London, Madrid, Lisbon, Sao Paulo and Paris. Carolina describes what she learned as a facilitator for Rachel Whiteread and the late Juan Muñoz; her curatorial residency at the Center for Contemporary Art, Noisy-le-Sec; the evolution of her work with Martin Creed (Cubitt Gallery and Tate Modern, London; Sala Alcalá, Madrid); and how locals get involved with the one-weekend D.I.Y. biennial she co-organizes with Mario Flecha, in the village of Jafre, Spain.
Sound Editor: Leonardo Madriz
Photos: Courtesy the artists and Carolina Grau, except where noted
Sound: Martin Creed, Thinking, Not Thinking
En Barcelona, Cathy Byrd habla con Carolina Grau, comisaria independiente de España que ha creado proyectos en Londres, Madrid, Lisboa, Sao Paulo y París. Carolina describe lo que aprendió como facilitadora para los artistas Rachel Whiteread y Juan Muñoz, su residencia curatorial en el Centro de Arte Contemporáneo en Noisy-le-Sec, la evolución de su trabajo con Martin Creed (Cubitt Gallery y la Tate Modern, Londres; Sala Alcalá, Madrid); y cómo durante un fin de semana, la gente se involucra en la D.I.Y. bienal que co-organiza con Mario Flecha, en Jafre, España.
Published August 6, 2012
This BEST OF Fresh Talk episode was recorded in Barcelona, home base for curator Carolina Grau's international practice.

In Barcelona, Cathy Byrd speaks with Carolina Grau, an independent curator from Spain, who has created projects in London, Madrid, Lisbon, Sao Paulo and Paris. Carolina describes what she learned as a facilitator for Rachel Whiteread and the late Juan Muñoz; her curatorial residency at the Center for Contemporary Art, Noisy-le-Sec; the evolution of her work with Martin Creed (Cubitt Gallery and Tate Modern, London; Sala Alcalá, Madrid); and how locals get involved with the one-weekend D.I.Y. biennial she co-organizes with Mario Flecha, in the village of Jafre, Spain.
Sound Editor: Leonardo Madriz
Photos: Courtesy the artists and Carolina Grau, except where noted
Sound: Martin Creed, Thinking, Not Thinking
En Barcelona, Cathy Byrd habla con Carolina Grau, comisaria independiente de España que ha creado proyectos en Londres, Madrid, Lisboa, Sao Paulo y París. Carolina describe lo que aprendió como facilitadora para los artistas Rachel Whiteread y Juan Muñoz, su residencia curatorial en el Centro de Arte Contemporáneo en Noisy-le-Sec, la evolución de su trabajo con Martin Creed (Cubitt Gallery y la Tate Modern, Londres; Sala Alcalá, Madrid); y cómo durante un fin de semana, la gente se involucra en la D.I.Y. bienal que co-organiza con Mario Flecha, en Jafre, España.
Labels:
Barcelona,
Biennial,
Carolina Grau,
Cathy Byrd,
D.I.Y.,
Jafre,
Juan Muñoz,
Martin Creed,
Noisy-le-Sec,
Rachel Whiteread
Location:
Barcelona, Spain
Monday, December 10, 2012
Fresh Talk: Sarah Hobbs

Conversations About Creativity in the 21st Century
Cathy Byrd speaks on Skype with photographer Sarah Hobbs on a night when Sarah is testing materials she collected for Overpacked, a set of site-specific installations to be on view in Atlanta for four days next week. Sarah's interest in human obsessions has led her to depict a range of neuroses and human foibles. Known for immersing her viewers in large scale photographs staged in familiar domestic interiors, this time, Sarah invites us into an experiential space: three hotel rooms that appear to be occupied by individuals trying very hard to make themselves feel at home.
Sound Editor and Episode Sound Designer: Eric Schwartz
Photos: Sarah Hobbs
Labels:
alarmist,
Cathy Byrd,
Fresh Talk,
germaphobe,
home,
homesick,
hotel room,
human foibles,
installation,
interior,
neurosis,
Overpacked,
photography,
psychological space,
psychology,
Sarah Hobbs,
site-specific
Location:
Midtown, Atlanta, GA, USA
Wednesday, December 5, 2012
BEST OF Fresh Talk: Jack Sanders
Cathy Byrd Talks Architecture with Jack Sanders
Published July 15, 2012
Our listeners love hearing Austin-based Jack Sanders talk about his adventures. Jack's episode is high on the list for Best Of Fresh Talk.
Listen to this episode.
Published July 15, 2012
Our listeners love hearing Austin-based Jack Sanders talk about his adventures. Jack's episode is high on the list for Best Of Fresh Talk.
Listen to this episode.
Labels:
Adventure,
Alabama,
architecture,
Austin,
Build,
Cathy Byrd,
design,
El Cosmico,
Jack Sanders,
Marfa,
Rural Studio,
Sam Mockbee,
Texas
Location:
Austin, TX, USA
Sunday, December 2, 2012
BEST OF Fresh Talk: Franklin Sirmans
Cathy Byrd Talks Art with Franklin Sirmans
Published May 14, 2012
Our listeners consider this conversation with curator Franklin Sirmans the Number One episode for Fresh Talk's first season.
Listen to this episode.
Published May 14, 2012
Our listeners consider this conversation with curator Franklin Sirmans the Number One episode for Fresh Talk's first season.
Listen to this episode.
Labels:
BCAM,
Biennial,
Broad,
contemporary art,
de Menil,
Dia Beacon,
Franklin Sirmans,
Fresh Talk,
Levitated Mass,
Los Angeles County Museum of Art,
Michael Heizer,
New Orleans,
Prospect.3,
public art,
sculpture
Location:
Los Angeles, CA, USA
Wednesday, November 28, 2012
Fresh Rx.10 with Kesha Bruce
Fresh Rx.10
I’ve been a full-time artist for nearly 20 years now and I’ve worked hard to build a client list of people who are interested in my work. I work in my studio about 30 hours a week and I show and sell my work on a regular basis on the national level. My biggest problem is that at this point in my career I feel a bit stuck. I feel like I’ve lost that spirit of discovery and adventure I had as a young art student. Any ideas about how I can get it back?
Painter, Chicago, IL
Sometimes in my own studio practice, I find that I get to the end of one avenue of thought and there’s just nothing left there to go on. I’m done. Or I may find that an idea that I started out working on with absolute excitement, now just seems plain boring. When this happens, I have two solutions that always work for me:
Take a sharp left.
Stop everything and go in a completely different direction. In some cases, it may be as easy as switching mediums. Working with new materials, or restricting the materials you allow yourself to use is a great way to set up problems or obstacles that will force your brain to find a way to “work around.” Most of the time the work I produce when I’m creating in this mode never becomes finished artwork. But that’s never the point. The point is to get a fresh perspective. I like to think of it as Creative Research and Development.
Stop and refuel.
It takes a lot of mental and physical energy to create great work. When I’m having a series of days where I find I’m super low on both energy and motivation, I wise up and realize that instead of forcing myself to move ahead at half mast, I really need to rest and refuel. I’m a big believer in the idea of artists and Creatives taking serious and planned “down time” in order to sustain themselves long-term. Too often we out-put all this creative energy and then we forget to refuel. We get so excited and busy working on projects and activities that when our creative “low fuel” warning light comes on, we don’t pay attention. Just because your creative inkwell has temporarily run dry doesn’t mean there aren’t any exciting new ideas left in there. Perhaps they just need more time to germinate.
In July 2009, Stefan Sagmeister gave a great TED talk about The Power of Time Off.
Send your questions to Kesha Bruce: freshartinternational@gmail.com
Subject Line: Fresh Rx
I’ve been a full-time artist for nearly 20 years now and I’ve worked hard to build a client list of people who are interested in my work. I work in my studio about 30 hours a week and I show and sell my work on a regular basis on the national level. My biggest problem is that at this point in my career I feel a bit stuck. I feel like I’ve lost that spirit of discovery and adventure I had as a young art student. Any ideas about how I can get it back?
Painter, Chicago, IL
Sometimes in my own studio practice, I find that I get to the end of one avenue of thought and there’s just nothing left there to go on. I’m done. Or I may find that an idea that I started out working on with absolute excitement, now just seems plain boring. When this happens, I have two solutions that always work for me:
Take a sharp left.
Stop everything and go in a completely different direction. In some cases, it may be as easy as switching mediums. Working with new materials, or restricting the materials you allow yourself to use is a great way to set up problems or obstacles that will force your brain to find a way to “work around.” Most of the time the work I produce when I’m creating in this mode never becomes finished artwork. But that’s never the point. The point is to get a fresh perspective. I like to think of it as Creative Research and Development.
Stop and refuel.
It takes a lot of mental and physical energy to create great work. When I’m having a series of days where I find I’m super low on both energy and motivation, I wise up and realize that instead of forcing myself to move ahead at half mast, I really need to rest and refuel. I’m a big believer in the idea of artists and Creatives taking serious and planned “down time” in order to sustain themselves long-term. Too often we out-put all this creative energy and then we forget to refuel. We get so excited and busy working on projects and activities that when our creative “low fuel” warning light comes on, we don’t pay attention. Just because your creative inkwell has temporarily run dry doesn’t mean there aren’t any exciting new ideas left in there. Perhaps they just need more time to germinate.
In July 2009, Stefan Sagmeister gave a great TED talk about The Power of Time Off.
Send your questions to Kesha Bruce: freshartinternational@gmail.com
Subject Line: Fresh Rx
Labels:
art,
artfix,
Artist,
career,
creative,
creativity,
energy,
Fresh Rx,
Kesha Bruce,
motivation,
power of time off,
research and development,
studio practice
Location:
Metz, France
Monday, November 26, 2012
Fresh Talk: Luci Westphal
Listen to this episode.
Labels:
All's Well and Fair,
Berlin,
Brooklyn,
DIY,
documentary,
film,
GoodHardWorkingPeople,
In a Berlin Minute,
Luci Westphal,
music,
street art
Location:
Prenzlauer Berg, Berlin, Germany
Monday, November 19, 2012
Fresh Talk: Sarah Oppenheimer
Listen to this episode.
Monday, November 12, 2012
Fresh Talk: Yane Calovski
Listen to this episode.
Labels:
Baltic Art Center,
curator,
European Kunsthalle,
initiative,
Macedonia,
Manifesta 7,
Museum of Contemporary Art Skopje,
Press to Exit,
research-based art,
Skopje,
Tate Britain,
Yane Calovski
Location:
Istanbul, Turkey
Wednesday, November 7, 2012
Fresh Talk LIVE: Theaster Gates
Listen to this episode.
Thursday, November 1, 2012
Fresh VUE: Theaster Gates & Huguenot House
Labels:
12 Ballads for Huguenot House,
Artist,
Chicago,
Conversations in Contemporary Art,
documenta(13),
Fresh Talk LIVE,
Fresh VUE,
Germany,
Kassel,
Kinetic,
Theaster Gates,
urban planner
Location:
Friedrichstraße, Kassel, Germany
Sunday, October 28, 2012
Fresh Talk: Marcos Lutyens
Listen to this episode.
Labels:
documenta(13),
Fresh Talk,
Hypnotic Session,
intermedia,
Marcos Lutyens,
mind research,
Paper Exhibition,
Raimundas Malašauskas,
Reflection Room,
Sissel Tolass,
smell research
Location:
Karlsaue, Kassel, Germany
Monday, October 22, 2012
Fresh Talk: Christian Philipp Müller
Listen to this episode.
Labels:
Christian Philipp Müller,
documenta(13),
garden,
Germany,
Kunsthochschule Kassel,
Swiss chard
Location:
Kassel, Germany
Saturday, October 20, 2012
Fresh VUE: The Netherlands 2012
Labels:
Bijlmer,
FatForm,
Forever Present,
Fresh VUE,
Jacco Olivier,
Kate Moore,
Netherlands,
Open Ateliers,
Remy Jungerman,
residency,
Sasha Dees,
Stedelijk,
Teresa Borasino,
The Hague,
Zuidoost
Location:
The Netherlands
Monday, October 15, 2012
Fresh Talk: Kate Moore
Listen to this episode.
Labels:
ASKO/ Schoenberg Ensemble,
Cathy Byrd,
composer,
Fresh Talk,
Kate Moore,
MacDowell Colony,
music,
Peter van Loon,
RPM Electro,
sound machine,
STRACC,
The Hague,
The Netherlands,
Theater Dakota
Location:
The Hague, The Netherlands
Monday, October 8, 2012
Fresh Talk: Ballroom Marfa
Listen to this episode.
Labels:
architecture,
Ballroom Marfa,
community,
contemporary art,
culture,
Drive-In,
Fairfax Dorn,
Marfa,
Melissa McDonnell,
Michael Meredith. Texas
Location:
Marfa, TX 79843, USA
Monday, October 1, 2012
Fresh Talk: Jason Forrest
Listen to this episode.
Labels:
Atlanta,
Berlin,
Jason Forrest,
Jen Ray,
laptop musician,
Network Awesome,
New York,
Public Enemy,
Yes
Location:
Berlin, Germany
Friday, September 28, 2012
Fresh VUE: dOCUMENTA(13)
Labels:
Carolyn Christov-Bakargiev,
Christian Philipp Müller,
documenta(13),
George Bures-Miller,
Germany,
Janet Cardiff,
Karlsaue Park,
Kassel,
Marcos Lutyens,
might be good,
Pierre Huyghe
Location:
Kassel, Germany
Sunday, September 23, 2012
Fresh Talk: Helena Reckitt
Listen to this episode.
Labels:
2012,
Brian Cauley,
Dave Dyment,
Hadley+Maxwell,
Helena Reckitt,
JD Walsh,
Katie Paterson,
Nuit Blanche,
Oliver Husain,
Ruth Ewan,
Simon Denny,
Susan Stenger,
Toronto,
Trisha Brown,
Yngve Holen
Location:
London, UK
Friday, September 21, 2012
Fresh Rx.9 with Kesha Bruce
Solutions for Your Creative Dilemmas
I'd really like to quit my full-time job so I could practice for a really important symphony audition that's coming up, but considering today's job market, I'm afraid to take the risk. What should I do?
The bigger question within your question seems to be: “How do I transition out of my day job, so I can work full time on my art?” This is a challenge to many Creatives.
Here are three really important factors to consider before you take the leap:
1. How much monthly/yearly income will you need to be able to sustain your lifestyle?
2. How long will it take you to get your career moving in the right direction so that you can sustain that comfortable lifestyle? 6 months, a year, longer?
3. Do you have enough funds saved to cover your basic living expenses while you’re making the transition?
So, let’s explore your options:
Option A: Quit your day job as soon as possible and throw yourself head first into becoming a full-time musician. This is what most Creatives dream of doing, but it’s not really feasible unless you’re willing to make huge lifestyle concessions and aren’t adverse to risk-taking. Likewise, you’ll need to live off your savings account (assuming you have one) until you start making regular income.
Option B: You stay at your day job, and continue working on you creative career on evenings and weekends. The biggest drawback to this option is that making progress in your creative career will take much, much longer. And unless you’re really disciplined and focused it’s easy for the other demands in your life to take-over. Also, you need to be realistic about how much you can get done in the space of a day. We all need sleep!
Option C: (My favorite option) Work your day job part- time and work on your Creative career part-time. As your Creative career develops and you begin to bring in more income on a consistent basis, completely phase out the day job. Note, you may have to leave your current day job and exchange it for another day job that allows for flexible hours. This may sound like a lateral move, but it’s actually quite clever. Think about it. You wouldn’t need to quit your day job in order to practice for that big upcoming audition if you could simply ask to be scheduled for a few less hours to accommodate your practice schedule. With this option, flexibility affords you a bit of the best of both worlds. You still have steady income while you build your creative career, but you also have the time and energy to do the work required to reach your career goals.
The final point I’d like to make is that it’s not enough to quit your day job and hope that everything works out. You need a plan. Leaving your job before you’ve taken the time to think everything through sets up a situation where even though you may have more time to focus on your craft, you end up being unproductive because you’re so stressed about making ends meet.
You need to be both optimistic and realistic when deciding how to transition into working on your art full-time. As with most things in life, having a solid plan is a key factor that will determine either success or failure.
ClickHERE to watch a great YouTube video/podcast by guitarist Tom Hess on how to move from working your day job to a full-time music career.
Send me your questions: freshartinternational@gmail.com. I'm here to help!
Kesha Bruce
I'd really like to quit my full-time job so I could practice for a really important symphony audition that's coming up, but considering today's job market, I'm afraid to take the risk. What should I do?
The bigger question within your question seems to be: “How do I transition out of my day job, so I can work full time on my art?” This is a challenge to many Creatives.
Here are three really important factors to consider before you take the leap:
1. How much monthly/yearly income will you need to be able to sustain your lifestyle?
2. How long will it take you to get your career moving in the right direction so that you can sustain that comfortable lifestyle? 6 months, a year, longer?
3. Do you have enough funds saved to cover your basic living expenses while you’re making the transition?
So, let’s explore your options:
Option A: Quit your day job as soon as possible and throw yourself head first into becoming a full-time musician. This is what most Creatives dream of doing, but it’s not really feasible unless you’re willing to make huge lifestyle concessions and aren’t adverse to risk-taking. Likewise, you’ll need to live off your savings account (assuming you have one) until you start making regular income.
Option B: You stay at your day job, and continue working on you creative career on evenings and weekends. The biggest drawback to this option is that making progress in your creative career will take much, much longer. And unless you’re really disciplined and focused it’s easy for the other demands in your life to take-over. Also, you need to be realistic about how much you can get done in the space of a day. We all need sleep!
Option C: (My favorite option) Work your day job part- time and work on your Creative career part-time. As your Creative career develops and you begin to bring in more income on a consistent basis, completely phase out the day job. Note, you may have to leave your current day job and exchange it for another day job that allows for flexible hours. This may sound like a lateral move, but it’s actually quite clever. Think about it. You wouldn’t need to quit your day job in order to practice for that big upcoming audition if you could simply ask to be scheduled for a few less hours to accommodate your practice schedule. With this option, flexibility affords you a bit of the best of both worlds. You still have steady income while you build your creative career, but you also have the time and energy to do the work required to reach your career goals.
The final point I’d like to make is that it’s not enough to quit your day job and hope that everything works out. You need a plan. Leaving your job before you’ve taken the time to think everything through sets up a situation where even though you may have more time to focus on your craft, you end up being unproductive because you’re so stressed about making ends meet.
You need to be both optimistic and realistic when deciding how to transition into working on your art full-time. As with most things in life, having a solid plan is a key factor that will determine either success or failure.
ClickHERE to watch a great YouTube video/podcast by guitarist Tom Hess on how to move from working your day job to a full-time music career.
Send me your questions: freshartinternational@gmail.com. I'm here to help!
Kesha Bruce
Labels:
creative career,
day job,
discipline,
Fresh Rx.9,
musician,
plan,
Tom Hess,
transition
Location:
Metz, France
Monday, September 17, 2012
Fresh Talk: Jen Ray
Listen to the episode.
Labels:
Ain't We Got Fun,
Berlin,
drawing,
Jason Forrest,
Jennifer Ray,
New York,
performance,
tableau vivant
Location:
Berlin, Germany
Monday, September 10, 2012
Fresh TALK: Joan Jonas and Jason Moran
Listen to Joan Jonas
Listen to Jason Moran
Listen to Jason Moran
Labels:
Alicia Hall Moran,
Bleed,
Dia Beacon,
documenta(13),
Jason Moran,
jazz improvisation,
Joan Jonas,
MIT,
performance art,
Reading Dante,
Venice Biennale,
Whitney Biennial
Location:
Austin, TX, USA
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