Envisioning Your Creative Life

FRESH ART INTERNATIONAL 2013 = New Site + New Fresh Talk Series!
Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts

Friday, May 11, 2012

Fresh Rx.6 with Kesha Bruce



Solutions for Your Creative Dilemmas



I started offering online encaustic classes and they've been very popular, but I know I should be thinking bigger. I share the info on FB, Twitter and LinkedIn and also list on SeekYourCourse.com. Where and how can I get more exposure?


You’re definitely on the right track.

For every creative, the two biggest challenges are communicating value, i.e. making it clear to potential clients/students/collectors exactly how they will benefit from what you have to offer, and most importantly, establishing yourself as a trust-worthy, expert authority in your particular field.

You should definitely enlist the help of other artists who blog.Ask former students to write about their experience and include images of the work they created using your teaching techniques.
 

Chances are, most of your enrollment will come by word of mouth. This is why getting other artists to write about your classes is so important. In fancy marketing terms, it’s called “third-party validation.”
 

It’s also the reason you should be including testimonials by past students on your website, complete with photos of the artists who wrote them and links back to their websites. Not only does this help build your credibility as an artist and a teacher, it’s a great way to connect and give back to artists who have supported you by taking your classes.

While running a contest or listing your classes on other on-line course websites isn’t necessarily a bad idea, offering the class to targeted art bloggers in exchange for a review on their blog would likely be a more worthwhile step. In fact, why not go one step further and organize a “blog tour,” where you appear as a guest blogger on several blogs over the course of several weeks, sharing a specific technique from each of your course offerings?

And last, but not least, how are you using your own blog as a platform to establish yourself as an authority in your field? Are you creating free content in the form of videos, tutorials, or advice about the technique on a regular basis? What can you create and distribute—for free—that sets you apart and establishes you as a “go to” person for this specific technique?

It might seem counter intuitive to give away information for free, but in fact this goes a long way towards gaining the trust of your readers and marketing your expertise. Try not to think of the gesture as giving away your best secrets. Instead, think of it as a way to gain trust, which is ultimately what you’ll need to rely on to gain new students.


Send me your questions: freshartinternational@gmail.com. I'm here to help!

Kesha Bruce

Wednesday, January 25, 2012

Fresh Rx.3 with Kesha Bruce


Solutions to Your Creative Dilemmas


The gallery that represents me doesn't show or sell much of my work. Should I look for a new space? 
A sculptor, Montreal





Galleries have a tough job. They generally represent a large group of artists in an already very crowded market place. And in this “new economy,” their work isn’t getting any easier. So, before you jump ship, why not have a sit down with your gallery’s director and discuss the problem? Try to leave emotion out of the equation and figure out a better way to market “the product.” After all, the Artist/Gallery relationship is a business arrangement, pure and simple. Why not find out if there is a way that the two of you could work together to increase your profit? That’s what business partners do.

If, at the end of the day, the gallery doesn’t seem enthusiastic about trying new tactics, or they don’t take your work or your concerns seriously, then by all means consider moving your work to another gallery. Sometimes a gallery’s focus changes, the artist’s work changes, or the gallery’s audience and collector base changes. No one is at fault. It’s just the natural evolution of things. There’s no reason you can’t end a professional relationship with a gallery on good terms and make a positive move to show your work in a new setting.

Note: For a gallerist's view on the subject, consider reading this blog by Ed Winkleman, owner, director of Winkleman Gallery, New York. He offers advice to artists seeking and changing galleries.


Send me your questions. I'm here to help! freshartinternational@gmail.com
Kesha Bruce